Almost all Rush albums have many songs that have dense allusions to mystic altered-state phenomena. I primarily cover early Rush albums, when they were originally exploring this approach - Caress of Steel through Grace Under Pressure.

I have not yet indicated which are the stronger, or "leading" allusions and which are weaker, "following" allusions. The strategy in this sort of analysis must be to brainstorm and overshoot. It is best to think of an excess of mystic-state interpretations, and then later pick the best ones.

My primary purpose with these annotations is not to explain the surface layer of meanings, which is evident during the normal state of cognition. That would be valuable, but my emphasis is on the occluded layer of meanings, the layer that is revealed during the dissociative state of cognition. These two layers are distinct, even if interdependent. I acknowledge the surface layer of meanings, but emphasize the occluded layer. It is clear enough that on the surface, "Bastille Day" is about the French Revolution, "Countdown" is about a rocket take-off, "Red Barchetta" is about a car, "No One at the Bridge" is about a ship, "Cygnus X-1" is about a black hole, and "The Body Electric" is about an android. Those are elementary explanations -- perhaps needed, but of little interest. Those meanings should be instantly obvious to anyone who is paying any attention at all. I am assuming that such analyses have already been taken care of.

Perhaps I should take the time to spell out the surface meanings as well as the occluded allusions, offering this site as the first complete and adequate explanation of Rush lyrics in general. Analyses which are limited to just the surface layer are shallow and have little to offer. I do need to take another look at the couple of books which attempt to explain Rush lyrics -- but I already looked at them and saw nothing more than "Song A is about B, song C is about D", and so on. Such interpretations are shallow because they are too easily satisfied; as soon as the first meaning is determined, the analysis is declared complete. I do discuss the surface layer in some cases, such as when it involves the philosophy of egoism. The "layer" idea applies better to some songs than others.

These are some of the best places to start reading:
The Fountain of Lamneth, particularly No One at the Bridge
The Body Electric
Chemistry
Cygnus X-1 Book One --- The Voyage
Freewill
The Twilight Zone
Discovery
Cygnus X-1 Book II: Hemispheres
Red Barchetta
Limelight
The Camera Eye
Vital Signs

In the Rush newsgroup, someone wrote "Does anyone know what the hell this guy [egodeath.com] is talking about??"

Richard wrote "Well, as a matter of fact I do. But then again, I am altered even as I type this. Thank you [egodeath.com] for your post and the link; I have been looking for just this kind of information for quite some time. Thanks." -- ElectRick, trippin' for the night

>What exactly is the point of all your nonsensical discussions regarding the lyrics of Rush?
>...
>I've read more of your discussion about Rush lyrics and have concluded that you're either very intelligent or you're an idiot with a psychology book in front of you and you're using as many psychology buzzwords as possible to put forth the illusion that you're intelligent!

The status of my intelligence is not directly relevant to this subject.

It is widely thought that Rush is a philosophy/mysticism band, but a crucial point for understanding the nature of this "philosophy" and "mysticism" is that it is *acid*-mysticism.

The lyrics are crafted to lend themselves particularly well to carrying subtle double-entendres alluding to common experiences of the LSD mystic altered state. The result is a language of hidden reference, a systematic, definable scheme of encoding and decoding of meaning. The acid lyricist writes while on LSD, subtlely phrasing things in a way that suggests common LSD experiences and perceptions. These allusions are not recognized except by listeners who are also in the LSD mystic altered state. For example, "sea spray blurs my vision, the waves roll by so fast, save my ship of freedom, I'm lashed helpless to the mast" are publically understood to simply tell a story of a sea voyage and a storm. But for those on LSD, the rather odd or arbitrary phrasings are seen as referring, with a perfect fit (perfect beyond the possibility of coincidence), to the common LSD experiences of perceptual waving and of loss of the sense of free will.

Ego death is the most interesting phenomena in human experiencing and warrants such research and explanation as my site puts forth.

There is no need for psychology buzzwords and high intelligence to experience and explain this. Just a familiarity with Rush lyrics and common altered-state experiences.

See Rush as an acid-mysticism group for much more explanation.

-- Unit One

Different Stages shows Rush guitarist Alex Lifeson being hauled away from the concert hall in a straightjacket, by orderlies wearing white. Compare the cover of 5150, by Van Halen, showing the band in straightjackets. These album covers both refer to the psychotomimetic effects of LSD.

unitOne@egodeath.com

Fly By Night

The Holland version of this album cover shows an eagle, representing liberty of the individual. The regular cover shows an owl (representing being awake during an all-night trip). I am surprised the owl does not have large pupils.

Anthem

(Lee, Lifeson, Peart)

[This is pro-egoism as opposed to collectivism and an altruism which condemns the value of the individual who gives to others. Contrast with later songs that dwell on the problematic nature of ego and egoic self-control. For more information, see Ego strengthening vs. ego transcendence.]

Know your place in life is where you want to be
Don't let them tell you that you owe it all to me
Keep on looking forward; no use in looking 'round
Hold your head above the ground and they won't bring you down

Anthem of the heart and anthem of the mind
A funeral dirge for eyes gone blind
We marvel after those who sought
New wonders in the world, wonders in the world,
Wonders in the world they wrought.

Live for yourself -- there's no one else
More worth living for
Begging hands and bleeding hearts will
Only cry out for more [compare Cinderella Man, in which "he held up his riches to challenge the hungry"]

Well, I know they've always told you
Selfishness was wrong
Yet it was for me, not you, I
Came to write this song [here is a declaration of selfishness and a refusal of the morality of altruisim (feeling one is morally obliged to hold oneself down to altruistically help others)]

Beneath, Between And Behind

(Peart, Lifeson)

[This song presages many themes that appear in "Bastille Day".]

Ten score years ago, defeat the kingly foe [search "king"] ["kingly foe" would be either the dragonesque inner ego as false controller-agent, or a control-agent who controls the Ground of Being which gives rise to our every act of will and act of personal control]
A wondrous dream came into being
Tame the trackless waste, no virgin land left chaste [exploration and mapping of mystic state; consciousness researchers as Magellan's]
All shining eyes, but never seeing [search "shining" and "shining eyes"; it's a repeated motif for dilated eyes in altered state]

Beneath the noble birth [allusion to kingship repeated later in Bastille Day; search "king"]
Between the proudest words [the Ground of Being that produces the delusion of egoic power eventually reveals the impotence of ego]
Behind the beauty, crack appear
Once, with heads held high
They sang out to the sky
Why do their shadows bow in fear? [ego-bowing theme repeated later in Bastille Day, search "bow"]

The guns replace the plow, facades are tarnished now [possible allusion to transgressive sacrifice and loss of moral-control stabilizer in the dissociative state]
The principles have been betrayed [which principles? consider freedom, inner personal government, cybernetics principles]
The dreams's gone stale, but still, let hope prevail [compare staleness of the quest in Fountain of Lamneth]
History's debt won't be repaid [search "history"]

By-Tor And The Snow Dog

(Lee, Lifeson, Peart)

[premonitions of the battle theme of The Necromancer]

The tomb of Hades, lit by flickering torchlight
The nether world is gathered in the glare
Prince By-Tor takes the cavern to the north light
The sign of Eth is rising in the air.
By-Tor, knight of darkness, [note that in the song "The Necromancer", "Prince By-Tor" is the champion, the savior, the good guy and rescuer.]
Centurion of evil, devil's prince. [By-Tor here too is a prince - but a prince of the devil.]

Across the River Styx, out of the lamplight [in ego death, cross river styx into hades]
His nemesis is waiting at the gate
The Snow Dog, ermine glowing in the damp night
Coal-black eyes shimmering with hate. [allusion to dilated pupils]
By-Tor and the Snow Dog
Square for battle, let the fray begin.

The battle's over and the dust is clearing
Disciples of the Snow Dog sound the knell
Rejoicing echoes as the dawn is nearing
By-Tor in defeat retreats to Hell
Snow Dog is victorious
The land of the Overworld is saved again.

Fly By Night

(Lee, Peart)

["Fly by night" means a trip (LSD session) during the entire night]

Why try? I know why
This feeling inside me says it's time I was gone [ego disappearance]
Clear head, new life ahead [rebirth]
I want to be king now, not just one more pawn [king ego, puppethood; but actually one goes from feeling as a king to feeling as a puppet, in mystic altered state]

Fly by night away from here [trip (LSD session) during the entire night]
Change my life again
Fly by night, goodbye my dear [disappearance of ego]
My ship isn't coming and I just can't pretend [search "ship"]

Moonrise, thoughtful eyes
Staring back at me from the window beside [ecstasis (standing beside oneself), dilated eyes, pure awareness is a higher vantage point to observe the mechanics of ego-cognition]
No fright or hindsight [fear of loss of control]
Leaving behind that empty feeling inside [ego disappearance]

Start a new chapter, I find what I'm after
Is changing every day.
The change of a season's enough of a reason
To want to get away
Quiet and pensive, my thoughts apprehensive [apprehend/fear insights about illusory nature of self-control]
The hours drift away
Leaving my homeland, playing a lone hand
My life begins today

Caress of Steel

Back cover art -- conditionally animated

When the viewer is tripping on LSD, the album art (4 sq. ft. total) becomes animated, moving about; moving pictures.

caressbkcover.jpg

September 1975

(04:37) Bastille Day
(03:37) I Think I'm Going Bald
(04:08) Lakeside Park
(12:30) The Necromancer
I. Into Darkness (4:12)
II. Under The Shadow (4:25)
III. Return of the Prince (3:52)
(19:59) The Fountain of Lamneth
I. In the Valley (4:18)
II. Didacts and Narpets (1:00)
III. No One at the Bridge (4:19)
IV. Panacea (3:14)
V. Bacchus Plateau (3:13)
VI. The Fountain (3:49)

Caress of Steel is dedicated to portraying and accompanying ego death. Self-control cybernetics and mystic-state experiences in Caress of Steel

_Caress of Steel_ is the most awe-inspiring album, because it is the peak source of inspiration and impetus to the following albums. The most important and noteworthy song from a historical and developmental standpoint is "No One at the Bridge".

Which is the greatest and most worthy song on _Caress of Steel_? While "Bastille Day" and "The Necromancer" deal with the apprehension of mystic ego death, the first does so in the form of a warning or prophecy, and the second does so in the form of a highly metaphorical adventure fantasy. Only "No One at the Bridge" deals directly with the peak experience of needing a divine rescuer. It's an appropriately doom-laden song describing the first strong encounters with the self-destruction of the twisted logic of self-control. All later descriptions of such encounters are less engaged, lacking the immediacy of Discovery. "The Twilight Zone", "Freewill", "The Enemy Within", and "The Body Electric" are spoken from a stance which is so accustomed to the fatal loss of the ego's power of will, that these later songs are sung as safe and secure echoes of the original blast, which built up momentum on _Fly by Night_, but exploded on _Caress of Steel_. The subsequent albums were reflections and echoes of that highest blast of inspiration and forceful moment of revision of the egoic worldview, the blast which is unmistakably represented by "No One at the Bridge".

Acid allusions and philosophy of self-control cybernetics in Caress of Steel

The cask of '43 is an acid double-entendre, an allusion to LSD. Albert Hofmann discovered and synthesized LSD in 1943 in Basil, Switzerland and Sandoz Labs. To "draw another goblet" is to conduct another LSD session of grappling with self-guidance power.

_Caress of Steel_ is packed with allusions to altered state phenomena:
o "take a piece of my mind"

o the waves roll by so fast (waves of perceptual distortion)
o save my ship of freedom, I'm tied helpless to the mast (freedom of will becomes experienced as cancelled or impotent)

o my gaze is caught and I am held helpless mesmerized (or some such) -- an allusion to the loss of power of self-steering, and sense of being trapped in a vortex that leads inexorably to ego-death. This is *the* Zen feeling -- the controlling-ego homunculus is caught in its own trap of logic.

o The entire story of the necromancer -- about being controlled externally and experiencing your will as being out of your own control. "Stripped of will and soul"
This is a standard LSD experience. This theme would hardly occur to an unexperienced lyrist.

o The loss of the ability for self-steering in "No One at the Bridge" (detailed in my long Rand, Satanism, Rush posting).

The extremely artistic melancholy of manic depression is another standard effect of LSD - recall Hendrix's song "Manic Depression" on the important acid rock album, _Are You Experienced?_

While "everyone has their own interpretation" sounds fine and democratic, I am the only person who *has* and puts forth a *highly structured*, explicit, and definite interpretation... I am the only one who claims that there *is* a single, definite, underlying theme: Rush lyrics are, above all, double-entendres and allusions to the highest human experiences: the standard, mystic altered-state phenomena, that naturally connect to the core of religion, philosophy, and psychology.

These lyrics are open to interpretation, but there is a dimension or layer of the lyrics that contains a *definite* allusion. This is a brilliant mastery of meaning, the way the lyrics are simultaneously about the surface topic, *and* are generally, poetically open, *and* -- I'm pointing out -- share a consistent theme. These 3 strands of interpretation are distinct and separable - each can stand on its own.

This suggests a system or philosophy of interpreting poetry. The ancient Greeks felt that the highest artform is music, meaning music with lyrics. I agree, and Rush is unsurpassed in the height of their lyrical achievement - their cleverness of encoding layers of meaning that reveal themselves, some layers more freely than others.

Ego Death meaning, King Ego kneeling, king into puppet

The experience of ego death is a temporary experience, a passage that can happen in multiple LSD sessions. There is also ego death on a longer term -- actually a lasting ego transcendence. "Ego death" is a very transitory experience.

Technically, "ego transcendence" is a more robust, accurate term than "ego death" -- and the word "suspension" is really good. A lot of this terminology is a matter of usage and definition. Many people talk about "ego death" and LSD is certainly experienced as a kind of death -- people talk about "feeling like I was dying". There is the Grateful Dead with all their skeleton imagery. There is crossing the river styx. In rites of pasage, the immature self dies and the more mature self is born.

From Rush: Caress of Steel: Bastille Day:

See THEM bow their heads to DIE
As we would BOW as they rode by
And WE're marching to Bastille Day
La guillotine will claim her bloody prize
Sing, oh choirs of cacophony
The king has KNEELED
To let his kingdom rise

The "king" here is king ego -- the false, illusory aspect of the ego-agent.

As the aristocratic kings died, so will ego bow, kneel, and die, as an illusory cybernetic controller/governor residing inside the mind, during an LSD session.

>but enough to (hopefully) leave the person with enough of an insight into the nature of the ego so that they can see their way more clearly even when without lsd, thereby making it easier and easier to eat lsd, as the ego is 'softened' thru repeated experience.

The ego "dies" as far as no longer being the unchallenged center of personal identity. The ego becomes more like a tool and an identity token, rather than one's true identity. The ego becomes as a tool of the mind.

After ego death, the new mind, or new ego, is different in some essential way from the old ego. The new ego is a more sophisticated, more well-understood ego, that is more differentiated from all the other activities of the mind. Ego death and ego transcendence can be thought of a simply a better understanding of the real nature of the ego -- such as seeing the way in which ego has *always* been an illusion. This can be subtle -- the ego is not entirely an illusion; it *sort of* exists. In the mystic state of dissociative cognition, the ego is re-perceived, and re-conceptualized. This is usually impossible, during the normal state of cognition, because deeply locked-in patterns of thought prevent the mind from examining the ego.

I have never heard someone claim to be born into a new "ego". They ususally say something like "I died to the old self to be born as a new, true Self". Ego is, by convention, demonized -- except by egotists, who usually do not have any insight about mystic experiencing or transpersonal psychology.

>What's usually referred to as "ego" in ego-death isn't the Freudian ego, it's the self-conscious narcissistic narrative, according to some who are experienced in Zen ... I find this compatible with my own "ego death" psychedelic experiences, it's not loss of self so much as loss of the "selfish self". "Zen and the Brain" explains it in detail.

Language about the sense in which ego exists and does not exist is very subtle.

I was glad to see that new book, Zen and the Brain.

I am concerned with the maximum effects of LSD, such as the sum of the following experience:

2 hits (200 mics) 200 times
5 hits (500 mics) 50 times
10 hits (1000 mics) 10 times

Take about 400 mics, and hold out your fingers -- are they shaking, in small distinct rapid vibrating motion, noticeably more than usual?

The black hole takes control away from the empty illusion of the inner homunculus who is the source and controller of the will and self-control. Another place where the double-inverse pentagram appears is the sleeve of Farewell to Kings. The cover on that album shows a puppet king. Kings actually were thought of as puppets, of the divine will. Whoever ends up king, must have been divinely fated to be given that power. The king's power, though, was thought of as deriving from the god of Fate, master of the future and all time.

Who is this king that dies in this new Bastille Day we have? In the Enlightenment, political and rational enlightenment hands the reins to the individual, and eliminates the metaphysical political system of a hierarchy of control flowing down from God, through the kings, and finally to the serfs (the lowest slaves in the giant master-slave hierarchy). Now we enjoy autonomy -- or perhaps we enjoy a *direct* master-slave relationship to god, rather than a circuitous hierarchical master-slave relationship to the omnipotence of the god who is the master of eternity. The mystic point of view shows a new appearance of the landscape of metaphysics, time, and self-control: the power of the autonomous self of modernity is seen as a confusion and illusion of the mind, and the source of one's will appears to be the world shaped as a block-universe with the time-axis frozen. One's will, at any point in the past, present, or future, appears to be floating eternally, pre-given at every point in time. This is the revealing of the hidden secret of self-government: apparently, according to altered-statte perception and the accompanying rational mental-model, it does stand to reason and perception that oneself cannot be the *ultimate* source of one's actions. It looks as though I am not my own ultimate self-controller. All my own power melts as I become a slave under the power of Fate and time, grovelling before my one true master, the god of Fate, the god of the future.

Bastille Day

Words and music by Lee, Lifeson, and Peart

Ooh, there's no bread, let 'em eat cake
There's no end to what they'll take
Flaunt the fruits of noble birth
Wash the salt into the earth

But they're marching to Bastille Day.
La guillotine will claim her bloody prize.
Free the dungeons of the innocent [sinlessness as all responsibility is recognized as owned by Ground of Being]
The king will kneel
And let his kingdom rise.

Ooh, blood stained velvet, dirty lace, [search "blood", "crimson"] [white appears dirty smudged during altered state]
naked fear on every face [terror of loss of control in ego death]
See them bow their heads to die [in ego death, many feel forced to bow to the Ground of Being or divine higher control level, or underlying control level, acknowledging its priority of power over the ego]
As we would bow as they rode by
And we're marching to Bastille Day [*we* will die as governors just as did the kings]
La guillotine will claim her bloody prize [flaming sword cuts off ego's head when one grasps cybernetic Truth]
Sing, oh choirs of cacophony
The king has kneeled [ego has died to let the power of the Ground of Being be recognized]
To let his kingdom rise.

Lessons taught but never learned [search "Lesson", as in the song by that name on 2112]
All around us anger burns
Guide the future by the past [as kings-as-governors died, so shall egos-as-governors die]
Long ago the mould was cast
For they marched up to Bastille Day
La guillotine claimed her bloody prize
Hear the echoes of the centuries
power isn't all that money buys. [money to buy LSD (thousand 10 cent wonders) appears to enable greater personal control via metaprogramming the mind, but instead, leaves one metaphysically powerless and helpless]

I Think I'm Going Bald

Words and music by Lee, Lifeson, and Peart

I looked in the mirror today; [altered mind as mirror]
my eyes just didn't seem so bright. [can hear "my I"] [the "I" construct isn't very smart; it's largely an illusion and a logical impossibility]
I've lost a few more hairs. [directs attention above the head] [this could very well be a joke about the myth of LSD causing chromosome damage: "I've lost a few more heirs]
I think I'm going bald,
I think I'm going bald.

Seems like only yesterday
We would sit and talk of dreams all night, [trip all night]
Dreams of youth and simple truths. [allusion to fountain of youth, fountain of Lamneth]
Now we're all so involved,
So involved with life.

I walk down vanity fair, [allusion to dominance of ego-consciousness]
Memory lane ev'rywhere [all mental constructs and memory retrieval seen as alike]
Wall Stree shuffles there, [perceptual waviness in altered state - walls and streets shuffle]
Dressed in flowing hair.

Once we loved the flowers,
Now we ask the price of the land.
Once we would take water,
But now it must be wine. [wine = lsd, as in "Cask of '43"]
Now we've been and now we've seen [our ego been transcended, seen Truth]
What price peace of mind. [search "peace"]
Take a piece of my mind. [allusion to psychotomimetic, and concretization/fragmentation of mental construct processing]

My life is slipping away. [allusion to ego death]
I'm aging every day.
But even when I'm grey,
I'll still be grey my way. [even in a state of transcending personal existence, retain personal uniqueness]

Lakeside Park

(Lakeside Park is in St. Catharine's, on Lake Ontario, in Canada. May 24th is Victoria Day, commemorating Queen Victoria's birthday.)

Words and music by Lee, Lifeson, and Peart

Midway hawkers calling "Try your luck with me." [luck, fatalism, risk of LSD, gamble of trying to purchase real LSD] [search "luck"]
Merry-go-round wheezing same old melody. [whirling theme]
A thousand ten-cent wonders, who could ask for more. [higher in the LSD distribution chain you can buy 1000 hits for $100 - each hit is 10 cents]
A pocketful of silver, the key to heaven's door. [= LSD, search "key" - Twilight Zone: use the key, unlock the door, see what your fate might have in store]

Lakeside Park, willows in the breeze. [no breeze needed to make trees appear to move, with waving perception]
Lakeside Park, so many memories. [memory flood of LSD]
Laughing rides, midway lights, [flashes of bright light]
Shining stars on summer nights.

Days of barefoot freedom, racing with the waves, [search "wave" - waving perception]
Nights of starlit secrets, crackling driftwood flames, [inner secrets revealed]
Drinking by the lighthouse, smoking on the pier, [consider drinking "wine" and smoking THC]
Still, we saw the magic was fading every year. [compare depression of Fountain of Lamneth]

Everyone would gather on the twenty fourth of May, [what day is this?]
Sitting in the sand to watch the fireworks display.
Dancing fires on the beach, singing songs together,
Though it's just a memory, some memories last forever. [timelessness]

The Necromancer

Words and music by Lee, Lifeson, and Peart

I. Into Darkness

As grey traces of dawn tinge the eastern sky, the three travelers, men of Willow Dale, emerge from the forest shadow. Fording the River Dawn, they turn south, journeying into the dark and forbidding lands of the Necromancer. Even now the intensity of his dread power can be felt, weakening the body and saddening the heart. Ultimately they will become empty, mindless spectres, stripped of will and soul. Only their thirst for freedom gives them hunger for vengeance...

[altered state themes in this story include: night voyage, remote cybernetic control of oneself by dispassionate higher-power controller, frightfulnes of being controlled by a higher level of power, ego emptiness, loss of egoic stable thinking, loss of control over one's own will, insight about illusory nature of metaphysical freedom.]

Silence shrouds the forest
as the birds announce the dawn.
Three trav'llers ford the river
and southward journey on.
The road is lined with peril,
and the air is charged with fear.
The shadow of his nearness
weighs like iron tears. [search "tears", as in the song "Fountain of Lamneth" and song "Tears"]

II. Under the Shadow

Shreds of black cloud loom in overcast skies; the Necromancer keeps watch with his magic prism eyes. [blurring during dissociative state, like "glass onion" or Donovan's "crystal spectacles".] He views all his lands [compare Biblical phrase "the kingdom of God is all around you, but you don't see it"] and is already aware of the three helpless invaders trapped in his lair... [being caught helplessly in a trap is a common theme of the LSD peak, as is feeling like a trespasser into the dominion of the gods/controllers/fates when one rises too high in consciousness]

Brooding in the tower, [non-compassionate higher-level all-powerful control agent]
watching o'er his land,
holding ev'ry creature,
helplessly they stand. [helplessness]

Gaze into his prisms, [altered-state perceptual blurring, compare "sea spray blurs my vision"]
knowing they are near.
Lead them to the dungeons.
Spectres numb with fear,
they bow defeated. [search "bow"] [defeat of ego power during ego death]

III. Return of the Prince

Enter the Champion. Prince By-Tor appears to battle for freedom from chains of long years. The spell has been broken...the Dark Lands are bright, the Wraith of the Necromancer soars away... in the night.

Stealthily attacking,
By-Tor slays his foe.
The men are free to run now
from labyrinths below. [altered-state navigation of the labyrinth of strange loop of egoic control and ego-agency]
Wraith of the Necromancer
shadows through the sky;
another land to darken
with evil prism eye. [note singular here, unlike above; think 3rd eye] [this song calls omnipotent God evil though all-powerful; implies that By-Tor is victorious. But, in terms of Christian symbology, it's not clear if By-Tor is Jesus the substitute sacrifice savior, or Satan the good ego as against God or against a bad demiurge, or Michael the Archangel. In the song "By-Tor And The Snow Dog", By-Tor was the bad guy, defeated by Snow-Dog. We could say that Jesus buys us control-power from God, so that God and egos are co-rulers, co-cybernetic-power wielders, co-governors -- thus a rescuer-figure purchases virtual freedom/power for the ego, despite the nonreality or illusory nature of ego as control-agent.]

The Fountain of Lamneth

Words and music by Lee, Lifeson, and Peart

Alex Lifeson (1983 interview): "Ged and Neil wrote the lyrics for The Fountain of Lamneth, and he thought it would be kind of nice to try to incorporate a very loose concept in it by having a starting point and ending point which would go from the beginning of side 2 [to] the end of side 2 and it would be one complete story, but broken up, so that it could be individual songs that, unless you look closely, wouldn't necessarily relate to each other."

I. In the Valley

Psychedelic birth/rebirth drawing reminescent of the Caress of Steel artwork

I am born;
I am me.
I am new. [rebirth in altered state]
I am free. [remember that freedom is as problematic as it is central and cherished; search "free"]

Look at me; [in altered state, awareness, mind, and self are separated so you can look at the me-construct]
I am young.
Sight unseen;
life unsung.

My eyes have just been opened,
and they're open very wide. [dilated pupils][to do: link to "open eyes" list in rushacid.htm]
Images around me
don't identify inside. [memory associations dissolved/suspended]

Just one blur I recognize,
the one that soothes and feeds.
My way of life is easy,
and as simple are my needs.

Yet my eyes are drawn toward
the mountain in the east. [drawn to mystic insight]
Fascinates and captivates; [forcefully captures attention]
gives my heart no peace.

The mountain holds the sunrise
in the prison of the night,
till bursting forth from rocky chains,
the valley floods with light.

Living one long sunrise, [at end of all-night trip]
for to me all things are new. [rebirth, sense of new Creation]
I've never watched the sky grow pale, [at end of all-night trip]
or strolled through fields of dew.

I do not know of dust to dust.
I live from breath to breath. [intense fear during peaking, holding on to ego desperately moment-to-moment]
I live to climb that mountain
to the Fountain of Lamneth. [live to explore mystic altered state]

II. Didacts and Narpets

[title stands for teachers and parents.]

Listen!

["Listen!" is an injunction to now prepare to be taught the greatest truths, by the mystic altered state.]

[search "listen"]

[You didn't listen again, to *this* lesson in *this* important, key song: THERE IS NO CYBERNETIC GOVERNOR AGENT AT THE CONTROLS running your mind and actions; ego is only epiphenomal, with all its actions completely originating from the Ground of Being rather than truly originating from the creative power of the ego-agent.]

Ego-death, the steersman homunculus, and self-control cybernetics

The highest philosophy song ever written is "No One at the Bridge". Led Zeppelin's "Stairway to Heaven" is just a typical New Age expression of mystic "knowledge" in that it is non-rational, and has no distinct, explicable meaning. But even the *title* of "No One at the Bridge" is packed full of specific insights about the nature of self-control cybernetics.

III. No One at the Bridge

Crying back to consciousness, [once more, in the altered state]
the coldness grips my skin. [tingles and nervous chills of meditation]
The sky is pitching violently, [altered state perception]
Drawn by shrieking winds

Seaspray blurs my vision [blurred vision of altered state]
The waves roll by so fast [loose perceptual cognition of altered state]
Save my ship of freedom [freedom becomes amplified to instability]
I'm lashed, helpless, to the mast [experience of helplessness]
Remembering when first I held
the wheel in my own hands, [self-control steersmanship, augmented]
I took the helm so eagerly
and sailed for distant lands [pushing the boundaries]
But now the sea's too heavy. [heavy problems of controlling freedom arise]
And I just don't understand,why must my crew desert me [my self who controls, is seen as partly illusory]
when I need a guiding hand? [I *need* an ego in my head to steer myself]
Call out for direction [my guidance systems are all suspended]
and there's no one there to steer [there's no one in me to give birth to will]
Shout out for salvation [kneel and pray to god-of-Fate to save me from freedom]
but there's no one there to hear [no god appears]
Cry out supplication [grovel slave-like, humbly, contritely, desperately]
for the maelstrom is near [the whirlpool vortex of self-control breakdown]
Scream out desperation [in deepest jeopardy]
but no one cares to hear [there is no god out there who cares to save me]

IV. Panacea

The whiteness of confusion
is unfolding from my mind.
I stare around in wonder.
Have I left my life behind. [ego disappearance]

I catch the scent of ambergris
And turn my head, surprised.
My gaze is caught and held and I
am helpless, mesmerized. [powerless to resist the strange attractor of ego-death insight]

Panacea, liquid grace.
Oh, let me touch your gentle face.
Enchantment falls around me
and I know I cannot leave. [helplessness]

Here's a meaning for my life, [problem of meaning - search "meaning"]
a shelter from the storm.
Pacify my troubles with
her body, soft and warm.

Naked in our unity, [unity consciousness]
a smile for ev'ry tear. [search "tears", as in the song "Fountain of Lamneth"]
Gentle hands that promise me
comfort through the years.

Yet I know I must be gone [ego disappearance]
before the light of dawn. [trip through the night]

Panacea, passion pure.
I can't resist your gentle lure. [powerless to resist Attractor]
My heart will lie beside you,
and my wandering body grieve. [body perceived as unreal]

V. Bacchus Plateau

[Bacchus is another name for Dionysus, the god of intoxication and transgression of the restraints of Reason. This is manic intoxication with psychedelics; wine was just a general purpose carrier and preservative base for all sorts of substances. Wine historically and more interestingly can be conceived of as an alcoholic suspension of something. After being frequently and intensely intoxicated with LSD, depression is a common result.]

Another endless day.
Silhouettes of grey.
Another glass of wine. [another LSD session]
Drink with eyes that shine. [dilated eyes, flushed face] [to do: link to "open eyes" list in rushacid.htm]

To days
without that chill at morning.
Long nights, [tripping]
time out of mind. [psychotomimetic, out of the egoic mind mode]

Draw another goblet [another LSD dose]
from the cask of '43. [LSD, discovered in 1943]

[Here is what some goblets of wine from the cask of '43 look like. This is 25 hits, each of the squares contains nominally 100 micrograms. 5 of these hits would make a suitably strong dose to produce the full-fledged classic experience of ego death, feeling like a cognitive puppet completely led around and produced in total by the universal process.]

Crimson, misty mem'ry, [search "crimson", = life blood of ego] [perceptual blurring, acute perception of cognition as present memory re-constructing]
hazy glimpse of me. [ego disappearance. LSD perceptual blurring]

Give me back my wonder. [after understanding ego death, no more challenge in life]
I've something more to give.
I guess it doesn't matter.
There's not much more to,
not much more to live.

Another foggy dawn. [blurred perception, near end of LSD session]
The mountain almost gone. [mystic allusion to "then there is no mountain"]
Another doubtful fear. [search "fear"]
The road is not so clear.

My soul
grows ever weary,
and the end
is ever near.

VI. The Fountain

Look the mist is rising,
and the sun is peeking through. [the trip is peaking]
See the steps grow lighter
as I reach their final few.

Hear the dancing waters;
I must be drawing near.
Feel, my heart is pounding [erratic heartbeat]
with embattled hope and fear.

The key, the end, the answer, [key = LSD dose = cybernetic loop understanding]
stripped of their disguise. [hidden/revealed theme]
Still it's all confusion,
and tears spring to my eyes. [search "tears", as in the song "Tears"]

Though I've reached a signpost;
it's really not the end. [what to do in life now?]
Like old Sol behind the mountain,
I'll be coming up again. [will have many more LSD sessions to re-experience these insights]

Now at last I fall before
The Fountain of Lamneth.
I thought I would be singing,
but I'm tired, out of breath. [suspended breath and energy of LSD session]

Many journeys end here, [Even so near the beginning of his lyrics career, Peart has already completed the highest journey; his life's quest has already come to its end; how could there be anything more to do?]
but the secret's told the same.
Life is just the candle,
and a dream must give it flame.

I'm in motion.
I am still. [changelessness, frozen time]
I am crying.
I am still.
I'm together.
I'm apart. [cognitive dissociation, fragmentation of accustomed mental constructs]
I'm forever
at the start.
Still, I am.

2112

>Where did Neil come up with these ideas in 2112? In the book in the cd, there is a little excerpt about 2112, by a woman.

All the Rush fans online but me are more or less mystified by it, and finds no overarching theme that fits. Shrugging, they say "who dares to try to understand the Gods?" But Rush are no gods, just one more who's searching for a world that ought to be, an explorer at the forefront of a community of leading, modern mystics.

As far as the place of ego and Ayn Rand's Objectivism, ego is a transitional stage in the development of human consciousness over history. When divine kings ruled, people did not have egos in the sense that we are fully accustomed to. They did not have our feeling of being entirely self-sufficient, sovereign steersmen of our own destiny. Rush, and other groups, are devoted to building up and affirming this freedom and sovereign power of the ego. And yet, they build it up as a platform from which we can explore the things beyond the separate ego -- the experience of mystic unity and nonduality.
This is an attitude of affirming the ego in order to transcend it.

Many people think that LSD is the most fascinating discovery of the 20th century, of all time. Unfortunately the government and fearful people have made it illegal and have demonized drugs. This attitude of crushing the fountainhead of philosophical inspiration is extremely depressing to those who have had the privilege of experiencing it, the key that unlocks the door to the higher dimension where time and space collide and there is no escape from the Truth about our freedom. There's no one around [in your head, no homunculus-controller (see Minsky's _Society of Mind_)], you've just become his brand-new toy [helpless against what your fate might have in store] -- and no escape, no place to hide!

Here is "the key to Heaven's door"; Rush tells us to "Use the key, unlock the door":

Above: LSD-soaked blotter paper with a chemical diagram of the LSD molecule. The browning of the paper indicates it does contain LSD molecules, is not fresh, but is probably still potent.

"I learned to... turn the keys."

Lennon in Help: "Now I find I've changed my mind, and opened up the doors."

It is well-known that Rush is a pot-positive band (see Passage to Bangkok and "burning pot" in Chemistry), but less well known that they are more of an acid-positive band. The highest use of pot is 3 hours into a trip.

This is where Neil came up with all these ideas.

Truth is false, and logic lost, now the fourth dimension is crossed.

Rush personally invites you to
Use the key, unlock the door
You won't get wise, with the sleep still in your eyes

"For you -- the Truth."

2112 album lyrics by Neil Peart
"With acknowledgement to the genius of Ayn Rand"

The meaning of the naked guy on _2112_

The Naked Guy alludes to our psychological state in the Garden of Eden, when we "knew not" the moral system of constraints, of the guidance-system of good and evil. Before the egoic mental system, there was innocence of good and evil; during the egoic phase, the mental principles of morality reined and guided us; and finally, after (or beyond) the ego, after mystic enlightenment, there is again the innocence of good and evil, or nakedness. (This is just some preliminary associations; of course there are many issues I can't touch upon in this posting.)

Who is the king overthrown in the Enlightenment of the double-inverse pentagram? It is King Ego.

References:

A few of the many other songs by Rush alluding to ego death, fate, breakdown of freedom/self-control:

Bastille Day (on _Caress of Steel_)
The Enemy Within (on _Grace under Pressure_)
The Body Electric (on _Grace under Pressure_)

Books:

The Ominous Parallels - "A brilliant study of America today - and the ominous parallels with the chaos of Pre-Hitler Germany" - the Ayn Rand library - by Leonard Peikoff - 1982 (certainly the most gripping book of the Ayn Rand library).

The New Satanists - Linda Blood - 1994. Compares Satanism and Nazism. Examines power-motives of Satanists and the strategy of transgressing one's own deepest moral constraints.

Rand's closed-mindedness to mysticism, 2112 by Rush, high philosophy and rock mysticism

Full front cover of 2112 (28 KB)

The rock album 2112 by Rush (1976) shows only a Red upright pentagram-in-a-circle floating on black water, on the front cover. It's a fold-out album. On the inside, it shows a naked guy apprehending this same symbol. So Rush has been through some kind of experience resonating with Satanism. The inside cover says "with acknowledgement to the genius of Ayn Rand." What, then, is the connection between Satanism and Ayn Rand's philosophy? Both of them promote the individual ego. But Rush highlights the apprehensive encounter with a satanic power turned upside-down, an encounter that happens through technology and logic. This encounter involves a discovery that is rejected by the established priesthood as a destructive toy, a toy that has some relationship to electric guitar.

2112: The symbology of the pentagram, ego death, destabilization of self-control

[to do: link to Rock: Pentagram Symbology]

The rock album 2112 by Rush (1976) shows only a Red upright [double-inverted] pentagram-in-a-circle floating on black water, on the front cover. On the inside, it shows a naked guy apprehending this same symbol.

Ozzy Osbourne, a Christian, does a comparable inversion of symbols on the front and back covers of _Diary of a Madman_ (1981). On the front, you can see the entire upside-down cross on the wall of his sorceror's pad, with a psychotic Ozzy on rampage. On the back cover, after the crazy Ozzy entity has "died", the reborn Ozzy is standing, blocking the view of the bottom of the cross, so that the remaining visible portion appears as a smaller, but upright, cross. This album chronicles Ozzy's psychedelic Discovery, belief, paralysis, struggles for self-mastery, and finally, a despairing madness of the ego which he now knows to be a lie, in some sense. The back cover shows him reborn in white with the upright cross above his head, so that he is standing under the cross. "Under the cross," by the way, can mean being buried in the grave or "dead in Christ".

The star is a Satanic power symbol, inverted/negated. It is also a symbol of a collective power seeking to control all.

I don't necessarily believe anything that Neal says -- he is a premiere bullshitter and bluffer. He obscures the meanings of the lyrics and symbols in order to protect the puzzle characteristic of the Rush lyrics, so that the game of discovery and unfolding of meaning may continue.

The theory that the star strictly refers to collectivism fails to address the fact that the pentagram in a circle, when inverted, symbolizes the worship of Satanic power. The symbol used in 2112 then takes on, in some altered form, the meanings which have already been established for the symbol of Satanism. That is how symbolism works, especially when the two symbols are so blatantly close. It is absurd to just dismiss the associations already built up around the colors red and black, and the star-in-a-circle, as having no relevance whatsoever.

The philosophy of Satanism shares some elements with objectivism -- namely, egoism. The idea of turning the logic of Satanism upside-down, setting the power of ego and freedom against itself, has great explanatory potential. Also I think it captures the essence of the naked guy much better to say that he is "apprehending" this power, not that he is simply in fear. Ego-power is logically problematic, as is freedom. "Look up to see a giant boy, you've just become his brand new toy. And no escape, no place to hide, here where time and space collide."

The problems with Satanism is that the ego, as conventionally conceived, is logically self-contradictory -- it is misconceived and an unstable foundation for human thought. Also, Satanism is succeptible to becoming lopsided, chaotic, and unbalanced, turning into a dominance-and-submission power relationship. I haven't seen a real explanation of why that is, but there is evidence of this tendency. Thus, Nazism becomes a bedfellow of Satanism.

The Red Star symbolizes *all* of the following:

Political collectivism as a power that *generally* oppresses the individual
Authoritarian denial of our *specific* freedom to use the psychedelic discovery, in the name of protecting people or society - the state jails individuals for supposedly jeopardizing the stability of society
Inversion of ego-power and the logic of freedom, apprehended in the altered state

Geddy on the man/star symbol: Geddy Lee (1983 interview): "Hugh Syme designed that. Once he received the lyrics for 2112 and heard some of the music and know what the album was, sortof, what direction the album was going, and he designed the graphics to go along with it and he came up with the design. It sorta comes to us to sort of stand for individualism, sorta man against the masses."

Neil Peart on the symbol: Neil Peart (Creem 1982): "All it means is the abstract man against the mass. The red star symbolizes any collectivist mentality."

This "individual against the masses" can represent the tripping philosopher against the straight, unthinking philistines who would jail the philosopher.

Are there decent sources to read about Peart? Most rock biographies are shallow and fail to truly interpret lyrics. They are gullible and stop at the first, superficial, and obvious layer of meaning, as though the artists have no deeper ideas and meanings to communicate. They slip over the surface and fail to penetrate.

The pentagram appears on several Rush album sleeves and we're debating the meaning of this. The pentagram is red, on a black background (colors associated with Satanism). It has a circle. There is a naked guy standing in a pose of apprehension (but not exactly fear). The pentagram has 1 point up, which I've referred to as "double-inverted" as though it is a negation of the inverted pentagram of Satanism. Rush has publically claimed that this symbol refers to the threat of collectivism that crushes individual freedom.

The 1-point up pentagram is used by Rush as a symbol of the inversion of the satanesque *ego*, an inversion that happens in mystic enlightenment. In short, it represents ego death, the hanged man, in Rush's symbology.

Rush, 2112 lyric analysis about legalization. The tyranny of the needs of the average

Ayn Rand portrays collectivism as requiring the greatest people to put themselves down and literally live not for themselves, but for *the average* and downtrodden people. "Just think about the average -- what use have *they* for you?" -- what use do ordinary plain dull masses have, for the ultimate insights and ecstatic terrors of high experiencing? The sacred hidden knowledge revealed in the rites of Eleusis, and so also available by drinking "the milk of paradise" "from the cask of '43" (Rush), is of no *use*, no utility, for the mass of society -- in fact, it dangerously destabilizes society and "must therefore" be repressed, denied, as the temple Father grounds that precious instrument of transcendent knowledge into splinters beneath his feet, in the name of protecting the contented life of the average.

Rush has an album-side against the spirit of your argument. Compare these and listen again:

A drug user online wrote "Hard drugs such as speed, XTC, PCP, heroin, coke, etc. truly are for the experimental individual. However these drugs DO ruin a vast amount of lives. As such, and as they don't seem to have any medical benefit, I personally think they don't have a responsible place in our society."

Beware of what you are thinking! Your words are the same as the evil priests in 2112. Neil Peart, lyricist of Rush, wrote the following, as the famous words of the small-minded, evil cultural authorities:

... "The massive grey walls of the Temples rise from the heart of every Federation city. I have always been awed by them, to think that every single facet of every life is regulated and directed from within! Our books, our music, our work and play are all looked after by the benevolent wisdom of the priests..."

We work together common sons
Never need to wonder how or why.

Look around this world we made
Equality our stock in trade
Come and join the Brotherhood of Man
Oh what a nice contented world

[The individualist protagonist seeking realization of self and truth says: ]

I watched in shock and horror as Father Brown ground my precious instrument to splinters beneath his feet...

Yes, we know it's nothing new
It's just a waste of time

Don't annoy us further
We have our work to do.
Just think about the average
What use have they for you?

Another toy [the discovery that is offered] will help destroy
The elder race of man
Forget about your silly whim
It doesn't fit the plan. [plan of the benevolent rulers for the collectivist good]

[The individualist protagonist seeking realization of self and truth says: ]

I see the works of gifted hands
That grace this strange and wondrous land
I see the hand of man arise
With hungry mind and open eyes [to do: link to "open eyes" list in rushacid.htm]

I can no longer live under the control of the Federation, but there is no other place to go.

The government, in the name of the good of the average person, takes the position:

LSD is just for the experimental individual, not for the average man. LSD ruins a vast amount of lives, whether or not this is from long-term psysiological effects; and LSD doesn't seem to have any medical benefit. Therefore, LSD does not have a place in our society, and should be unavailable. This unavailability means that LSD must be illegal, which means that people should be put in jail for using it. LSD is useless and detrimental to the average man, therefore, the inquisitive individual should be put in jail for using it.

The above is precisely the position of the actual "priests" who made LSD illegal in the U.S. on October 6, 1966 -- 32 years ago. For 32 years, the rulers of the U.S., in the name of the benefit of the Average, have been jailing and ruining LSD users, including advanced acid mystics, philosophers, and consciousness explorers like the lyricist of the great Rush albums.

I. Overture

And the meek shall inherit the earth. [Ultimately, the no-free-will worldmodel remains standing, while free-will thinking is doomed to collapse in the light of mystic insight and mystic-state experiencing.]

II. Temples of Syrinx

... "The massive grey walls of the Temples rise from the heart of every
Federation city. I have always been awed by them, to think that every single
facet of every life is regulated and directed from within! Our books, our
music, our work and play are all looked after by the benevolent wisdom of the
priests..."

We've taken care of everything
The words you hear the songs you sing
The pictures that give pleasure to you eyes. [this is a cognitive-puppethood description; the stream of cognition is pre-set and given to you by the Ground of Being]

It's one for all and all for one
We work together common sons
Never need to wonder how or why.

We are the Priests, of the Temples of Syrinx
Our great computers fill the hallowed halls.
We are the Priests, of the Temples of Syrinx
All the gifts of life are held within our walls.

Look around this world we made
Equality our stock in trade
Come and join the Brotherhood of Man
Oh what a nice contented world
Let the banners be unfurled
Hold the Red Star proudly high in hand.

We are the Priests, of the Temples of Syrinx
Our great computers fill the hallowed halls.
We are the Priests, of the Temples of Syrinx
All the gifts of life are held within our walls.

What is the discovery in 2112?

The aspiring individual, Anonymous, wants the share "the toy" he found with the priests of the establishment temples. "The toy" refers to "the guitar", which was one thing that destroyed the "elder race" (that's us, 20th century).

But of course the album 2112 and "the discovery" is not about a mere guitar. It's actually about the discovery of the most potent source of philosophical, moral, and religious experiencing. A source, a toy, so potent that it has the potential of destroying our race. A toy that doesn't fit the establishment plan of a placid peace, contentment, and equality under the benevolent guidance of the temple priests.

The lyrics on the back cover were not included in the 2112 lyrics I posted from the lyrics web, and they should have been. They include the following:

... the surviving planets were banded together under the Red Star of the Solar Federation. ... I believed what I was told, I thought it was a good life, I thought I was happy. Then I found something that changed it all...." -- Anonymous, 2112

Notice the reference to the Red Star. But especially, notice "Then I found something that changed it all," which hardly could refer to a mere electric guitar. Actually it refers to a chemical trigger that forcefully confronts the mind, will, and self-control, with the highest philosophical, moral, and religious questions, as well as the most intense aesthetic experiences of terror and beauty. It is not so much the discovery of freedom, as it is the full understanding of the nature and implications of freedom.

III. Discovery

"I lie awake, staring out at the bleakness of Megadon. City and sky become one, merging into a single plane, a vast sea of unbroken grey. The Twin Moons, just two pale orbs as they trace their way across the steely sky. I used to think I had a pretty good life here, just plugging into my machine for the day, then watching Templevision or reading a Temple Paper in the evening.

My friend Jon always said it was nicer here than under the atmospheric domes of the Outer Planets. We have had peace since 2062, when the surviving planets were banded together under the Red Star of the Solar Federation. The less fortunate gave us a few new moons.

I believed what I was told, I thought it was a good life, I thought I was happy. Then I found something [LSD, electric guitar, individual consciousness] that changed it all..."

-- Anonymous, 2112

... "Behind my beloved waterfall, [= altered-state perceptual waving]

in the little room that was hidden beneath
the cave, I found it. I brushed away the dust of the years, and picked it up,
holding it reverently in my hands. I had no idea what it might be, but it was
beautiful" ...
... "I learned to lay my fingers across the wires, and to turn the keys [search "key" - key = LSD dose = cybernetic Truth]

to make
them sound differently. As I struck the wires with my other hand, I produced
my first harmonious sounds, and soon my own music! How different it could be
from the music of the Temples! I can't wait to tell the priests about it! ..." [my cybernetic insight is a very different approach than conventional religion -- one that succeeds at producing enlightenment and transcendent understanding of moral agency]

What can this strange device be?
When I touch it, it gives forth a sound
It's got wires that vibrate and give music
What can this thing be that I found?

See how it sings like a sad heart
And joyously screams out its pain
Sounds that build high like a mountain
Or notes that fall gently like rain.

I can't wait to share this new wonder
The people will all see its light
Let them all make their own music [let us each experience mystic insight directly and gain understanding through direct personal experience]
The Priests praise my name on this night.

IV. Presentation

... "In the sudden silence as I finished playing, I looked up to a circle of
grim, expressionless faces. Father Brown rose to his feet, and his somnolent
voice echoed throughout the silent Temple Hall." ...
... "Instead of the grateful joy that I expected, they were words of quiet
rejection! Instead of praise, sullen dismissal. I watched in shock and horror
as Father Brown ground my precious instrument to splinters beneath his feet..."

I know it's most unusual
To come before you so
But I've found an ancient miracle
I thought that you should know

Listen to my music
And hear what it can do
There's something here as strong as life
I know that it will reach you.

Yes, we know it's nothing new
It's just a waste of time
We have no need for ancient ways
The world is doing fine

Another toy will help destroy
The elder race of man
Forget about your silly whim
It doesn't fit the plan.

I can't believe you're saying
These things just can't be true
Our world could use this beauty
Just think what we might do.

Listen to my music
And hear what it can do
There's something here as strong as life
I know that it will reach you.

Don't annoy us further
We have our work to do.
Just think about the average
What use have they for you? [average people have no need for exploring mystic altered state, so it shall be illegal]

Another toy will help destroy
The elder race of man
Forget about your silly whim
It doesn't fit the plan.

V. Oracle: The Dream

... "I guess it was a dream, but even now it all seems so vivid to me. [post-trip, trip seems as a dream]

Clearly
yet I see the beckoning hand of the oracle as he stood at the summit of the
staircase" ...
... "I see still the incredible beauty of the sculptured cities [search "city"/"cities"; in Hemispheres, building cities is later called insufficient motivation in life] and the pure
spirit of man revealed in the lives and works of this world. I was overwhelmed
by both wonder and understanding [overwhelming insights of altered state] as I saw a completely different way to life, a
way that had been crushed by the Federation long ago. I saw now how
meaningless life had become with the loss of all these things ..." [contrast "Fountain of Lamneth" -- life is meaningless and unchallenging after reaching enlightenment through tripping, *because there is no more challenge* -- here the complaint is different: desire for LSD as the very effective key to highest revelation, but it's illegal due to the "needs of the average"]

I wandered home though the silent streets
And fell into a fitfull sleep
Escape to realms beyond the night
Dream can't you show me the light?

I stand atop a spiral stair [mystic-state allusion]
An oracle confronts me there
He leads me on light years away
Through astral nights, galactic days

I see the works of gifted hands
That grace this strange and wondrous land
I see the hand of man arise
With hungry mind and open eyes [see how the highest, most advanced members of society, who want to use LSD, are held down due to the "needs of the average"]

They left the planet long ago
The elder race still learn and grow
Their power grows with purpose strong
To claim the home where they belong
Oh, to tear the Temples down...
Oh, to change..

VI. Soliloquy

... "I have not left this cave for days now, it has become my last refuge in my
total despair. [I just want to trip all the time and study mystic cybernetic phenomena] I have only the music of the waterfall [perceptual waviness of altered state] to comfort me now. I
can no longer live under the control of the Federation, [theme of wanting release from external control] but there is no other
place to go. My last hope is that with my death I may pass into the world of
my dream, and know peace at last."

The sleep is still in my eyes
The dream is still in my head
I heave a sigh and sadly smile
And lie a while in bed
I wish that it might come to pass
Not fade like all my dreams

Just think of what my life might be
In a world like I have seen
I don't think I can carry on
Carry on this cold and empty life
Oh...noo. [suicidal despair -- it is surprising to find this *defeat* of the Individual in Rush lyrics.]

My spirits are low in the depths of despair [mystic altered state causes synthetic manic-depression]
My lifeblood spills over.. [search "blood"]

VII. The Grand Finale

Attention all Planets of the Solar Federation
Attention all Planets of the Solar Federation
Attention all Planets of the Solar Federation
We have assumed control. [We have incorrectly *assumed* that we ever had control, as egoic controller agents.] [theme of radical shift of control-center in altered state - ambiguous if Individuals or collectivist Priests/governors have won]
We have assumed control.
We have assumed control.

A Passage To Bangkok

Lyrics by Neil Peart

[About marijuana, which is a companion drug for LSD. Compare song "Chemistry", including "burning p-hotter"]

Our first stop is in Bogota
To check Columbian fields
The natives smile and pass along
A sample of their yield
Sweet Jamaican pipe dreams
Golden Acapulco nights
Then Morocco, and the East,
Fly by morning light

We're on the train to Bangkok
Aboard the Thailand Express
We'll hit the stops along the way
We only stop for the best

Wreathed in smoke in Lebanon
We burn the midnight oil
The fragrance of Afghanistan
Rewards a long day's toil
Pulling into Katmandu
Smoke rings fill the air
Perfumed by a Nepal night
The Express gets you there

The Twilight Zone

Lyrics by Neil Peart

A pleasant faced man steps up to greet you
He smiles and says he's pleased to meet you
Beneath his hat the strangeness lies
Take it off, he's got three eyes [3rd eye of perception, to see our hidden nature; refers to mystic dissociative state. (Twilight Zone episode "Will The Real Martian Please Stand Up?" http://fusionanomaly.net/twilightzone.html)
Truth is false and logic lost [Egoic logic contains error, now corrected]
Now the fourth dimension is crossed [especially, time is seen as frozen]

You have entered the Twilight Zone
Beyond this world strange things are known [they *are* known, though strange]
Use the key, unlock the door [the potent chemical key] [search for "key"; occurs several times - "the key to heaven's door", "I learned to turn the keys"]
See what your fate might have in store [experience of Fatalism]
Come explore your dreams' creation [world and self experienced as constructs]
Enter this world of imagination [world of illusion-like mental constructs]

You wake up lost in an empty town ['wake up' mystically] [scene empty of self] (TZ pilot episode "Where Is Everybody?")
Wondering why no one else is around ['no one' lives in the homunuclus-illusion]
Look up to see a giant boy [yourself-across-time, or satan or god] (TZ episode "Stopover In A Quiet Town" has a giant girl)
You've just become his brand new toy [sense of being a puppet]
And no escape, no place to hide [sense of entrapment, robbed of feeling of power]
Here where Time and Space collide [dissolution of ego boundaries into spacetime] [compare phrase "In between time" in the song "Between the Wheels"]

Lessons

[How to learn lessons from the mind itelf - independently of authorities.]

You know we've told you before
But you didn't hear us then
So you still question why
You didn't listen again [this says, "go back and inspect the song "No One at the Bridge very closely"; the shout of "Listen!" introduces that song]

*When* could Rush possibly have told us anything before this album? In the albums before 2112:

1. _Rush_
2. _Fly by Night_
3. _Caress of Steel_

1. The album _Rush_ couldn't count, because it's not a messsage-oriented album and the word "we" couldn't apply, as Neil wasn't included in the album Rush.

2. _Fly by Night_ has many allusions to mystic phenomena. This is part of the pointing, the telling, that Lessons refers to. I feel that this album was not quite mature though, as a vehicle for intelligibly communicating the mystic phenomena.

3. _Caress of Steel_ also has many expressions alluding to the standard altered state experiences. Most of all, in the song "No One at the Bridge", which is possibly the best high philosophy song ever written, as it deals with the helpless confrontation of fate that cancels the power of the self-controlling, cybernetic steersman.

The mind can be its own teacher of higher knowledge. Every so often in history, meditators throw off the writings and the authorized teachers, in order to study their own mind directly. "The lessons come from within your own head, not through authorities."

In Lessons, Rush tells us especially clearly, the Lessons (referred to in the song Lessons on 2112). This is the lesson of the cancellation of egoic, Satanic autonomy.

The Lessons are taught on a heavy sea of blurred vision with waves rolling by (No One at the Bridge), as the ship of freedom is pulled toward the vortex of enlightenment and the helmsman cries out supplication to the god of Fate, in an empty sky of doom. In this episode, the Satanic pentagram of self-will turns upside-down, as the logic of ego's system of autonomy, power, will, freedom, and reason, inflates itself to the point of exposing its inner contradictions in a logical explosion of self-deconstruction, "in a final flash of glory, never more to witness the night" (Cygnus X-1). Cygnus X-1 is about a foolishly daring trip to the black hole that takes control and shatters oneself.

Lyrics by Alex Lifeson

Sweet memories
Flashing very quickly by [in mystic state, memories are recognized as present mental constructs rapidly presented to present pure awareness]
Reminding me [that all experiencing is in the form of mental constructs presented to awareness]
and giving me a reason why [remembering altered state cognition] [gives a reason to go on living; see end of Fountain of Lamneth]
I know that
My goal is more than a thought
I'll be there
When I teach what I've been taught [taught by the mystic state]

You know we've told you before [in our previous 2 acid-rock albums] ["we've told you before" is important: it establishes that the mystic-state encoding system is understood and owned not just by a single band member, but by all three]
But you didn't hear us then [you didn't pick up allusions to the alt-state]
So you still question why
You didn't listen again ["listen" is a direct reference to the important song No One at the Bridge, which was introduced on the previous album by shouting "LISTEN!!!"] [the standard state doesn't pick up on the encoded signals; decoding requires the mystic altered state] [for those who *did* listen to and understand "No One at the Bridge", they understand this criticism to be aimed at the inexperienced mass of listeners, rather than the experienced few]

Sweet memories I never thought it would be like this [it's surprising]
Reminding me Just how close I came to missing
I know that This is the way for me to go [the mystic altered state is the way for the ego to go away, to disappear, to die]
You'll be there When you know what I know [it's a place any mind can know] [you will be gone when you have mystic knowledge as I do] And I Know [I have knowledge of cybernetic Truth; I am enlightened]

You know we've told you before [in No One at the Bridge, especially]
But you didn't hear us then
So you still question why [why we phrase things as we do. If you were Experienced, you would understand, rather than question, the phrasing]
You didn't listen again

Tears

Lyrics by Geddy Lee

All of the seasons
And all of the days
All of the reasons
Why I've felt this way
So long
So long

Then lost in that feeling
I looked in your eyes
I noticed emotion
And that you had cried
For me
I can see

What would touch me deeper
Tears that fall from eyes
That only cry?
Would it touch you deeper
Than tears that fall from eyes
That know why? [tears of enlightened, revelation state] [search "tears", as in the song "Fountain of Lamneth"]

A lifetime of questions
Tears on your cheek
I tasted the answers [eat LSD dose; compare "spit it out" - "don't swallow the poison"]
And my body was weak
For you
The truth [love for Cybernetic Truth]

Something For Nothing

Lyrics by Neil Peart

Waiting for the winds of change
To sweep the clouds away
Waiting for the rainbow's end
To cast its gold your way
Countless ways
You pass the days

Waiting for someone to call [come?]
And turn your world around [common mystic "whirling" theme]
Looking for an answer to
The question you have found [see "the key, the end, the answer"; LSD or the mystic state is the answer, the key, to the question. The question is the ego (egoic control power) as a puzzle to be solved]
Looking for
An open door ["use the key, unlock the door"] [the door is an open one if you have "the key to heaven's door"]

You don't get something for nothing
You don't get freedom for free [you must abandon metaphysical freedom to know truth and have the only true freedom of Indivdual power you can have]
You won't get wise [won't become enlightened]
With the sleep still in your eyes ["sleep" = lack of altered-state experience and understanding of cybernetic truth]
No matter what your dreams might be [no matter how you conceive of the ego or apply it to pursuit of goals, you will never understand the true nature of ego's existence without awakening via mystic-state experience]

What you own is your own kingdom [search "king" and control - complex theme]
What you do is your own glory
What you love is your own power [power is a complex theme] [egoic thinking loves the apparent power of the ego, "your own power"]
What you live is your own story
In your head is the answer [the solution to the cybernetic puzzle is discovered in the mind in altered-state introspection] [also consider head = controllership/goverorship, can be severed as in Bastille Day]
Let it guide you along [the key, the altered state, is the Teacher and Guide]
Let your heart be the anchor [in the altered state one desperately needs an anchor to stabilize self-control and steersmanship; compassion is the anchor against destructive (even sacrificial) transgression]
And the beat of your own song

A Farewell to Kings

Neil's statement is pregnant with subtle meaning: "We also began a series of puns with that album, in that the King is a puppet King. There have been a lot of criticisms of the Throne over the past couple of decades as being a heritage that we really can't disregard, but certainly don't take as seriously as we used to."

Translation: "Throne" refers to ego as cybernetic steersman, a purely self-directing sovereign agent. Popular culture and schools of spirituality have criticized the ego, from the 50s Zen movement through the 60s pscyhedelics movement and ensuing New Age spirituality movement, but we really can't just dismiss this necessary mental construct. After experiencing ego death, the ego does remain, but it is no longer taken as a literal reality.

This cover shows a puppet king with strings ascending into the heavens. Compare the cover of Metallica's album Master of Puppets (the acknowledgements of those liner notes include Rush), which shows a graveyard with puppet strings attached to each headstone. During the peak of a full-intensity LSD session, a common experience is to feel oneself to be a helpless puppet of the universal process. Compare also the song Little Dolls by Ozzy Osbourne from Diary of a Madman. These albums all have LSD themes and puppet or doll themes. The doll theme also occurs in the song Twilight Zone (Rush: 2112 album).

The Death of King Ego

In the liner notes of the album Different Stages, one clipping is a newspaper ad for the Farewell to Kings tour. It shows a skull wearing a crown. This is a reference to ego death triggered through LSD. It uses the same skull imagery as seen often in the Grateful Dead, but with the added concept of the death specifically of the king -- that is, the death of kingship. This is essentially synonymous with the puppet-king concept shown on the cover of the album A Farewell to Kings. The "king" is our sense of independent governorship or cybernetic steersmanship. On LSD, one perceives, very commonly, that one's power of origination is largely illusory. One may create and originate thoughts and acts of will, but this is seen as merely subservient, 2nd-order origination. The ego, or oneself, is not a prime mover; it is merely a mover which is moved. You will do what the universal process forces you to do, what it has determined and pre-set that you shall do. All preordained, king ego finds himself as a prisoner in chains, a victim of fate -- a slave of fate. The king/slave relationship is seen in the Crucifixion as well. This is the highest realm of philosophy, the philosophy of ego death and self-motion, free will and virtual (not actual) moral agency.

Cover of A Farewell to Kings (38KB)

A Farewell to Kings

When they turn the pages of history
When these days have passed long ago
Will they read of us with sadness
For the seeds that we let grow
We turned our gaze
From the castles in the distance
Eyes cast down
On the path of least resistance

Cities full of hatred
Fear and lies
Withered hearts
And cruel tormented eyes
Scheming demons
Dressed in kingly guise
Beating down the multitude
And scoffing at the wise

The hypocrites are slandering
The sacred halls of Truth
Ancient nobles showering
Their bitterness on youth
Can't we find
The minds that made us stong
Can't we learn
To feel what's right and wrong

Cities full of hatred
Fear and lies
Withered hearts
And cruel, tormented eyes
Scheming demons
Dressed in kingly guise [ego is demon-illusion acting as king] [search "king"]
Beating down the multitude
And scoffing at the wise
Can't we raise our eyes
And make a start
Can't we find the minds
To lead us closer to the Heart

Xanadu

"To seek the sacred river Alph
To walk the caves of ice
To break my fast on honey dew
And drink the milk of paradise..."

I had heard the whispered tales
Of immortality
The deepest mystery
From an ancient book. I took a clue
I scaled the frozen mountain tops
Of eastern lands unknown [explored the mystic altered state]
Time and Man alone
Searching for the lost --- Xanadu

Xanadu --- To stand within The Pleasure Dome
Decreed by Kubla Khan
To taste anew the fruits of life
The last immortal man
To find the sacred river Alph
To walk the caves of ice
Oh, I will dine on honey dew
And drink the milk of Paradise

A thousand years have come and gone
But time has passed me by
Stars stopped in the sky
Frozen in an everlasting view [time-freezing in altered state]
Waiting for the world to end [common apocalypse theme of altered state]
Weary of the night [exhausting all-night battle/tripping]
Praying for the light [search "pray", "supplication"]
Prison of the lost --- Xanadu [search "prison"]

Xanadu --- Held within The Pleasure Dome
Decreed by Kubla Khan
To taste my bitter triumph
As a mad immortal man
Nevermore shall I return
Escape these caves of ice
For I have dined on honey dew
And drunk the milk of Paradise

Closer To The Heart

And the men who hold high places
Must be the ones to start
To mould a new reality
Closer to the Heart

The Blacksmith and the Artist
Reflect it in their art
Forge their creativity
Closer to the Heart

Philosophers and Ploughmen
Each must know his part
To sow a new mentality
Closer to the Heart

You can be the Captain
and I will draw the Chart
Sailing into destiny [fatalism]
Closer to the Heart [realizing Cybernetic Truth crucially demands nonviolence, non-transgression of convention moral actions]

Cinderella Man

A modest man from Mandrake
Travelled rich to the city
He had a need to discover
A use for his newly-found wealth [surprise: he doesn't "use" it by giving it away; he ends up "holding it up as a challenge to the hungry"]

Because he was human
Because he had goodness
Because he was moral [morality = challenging the hungry to better themselves and gain money on their own power]
They called him insane [morality is logically unfounded]

Delusions of grandeur
Visions of splendour
A manic depressive [search "depress", "despair"] [synthetic manic-depression of altered state]
He walks in the rain

Eyes wide open [pupil dilation]
Heart undefended
Innocence untarnished

Cinderella Man
Doing what you can
They can't understand
What it means

Cinderella Man
Hang on to your plans
Try as they might
They cannot steal your dreams

In the betrayal of his love he awakened
To face a world of cold reality
And a look in the eyes of the hungry
Awakened him to what he could do

He held up his riches
To challenge the hungry [complex wording - he does not give them his money, he holds it out as a challenge and inspiration to them]
Purposeful motion
For one so insane

They tried to fight him
Just couldn't beat him [Rand's architect who wins]
This manic depressive
Who walks in the rain

Mandrigal

When the dragons grow too mighty
To slay with pen or sword
I grow weary of the battle [search "battle"]
And the storm I walk toward ["toward storm" = drawn toward the maelstrom strange attractor of mystic ego death]
When all around is madness [= psychotomimetic aspect of LSD, perceptual waving]
And there's no safe port in view [danger of loss of control on LSD during cybernetic transcendence of control systems]
I long to turn my path homeward
To stop awhile with you

When life becomes so barren
And as cold as winter skies
There's a beacon in the darkness
In a distant pair of eyes
In vain to search for order
In vain to search for truth
But these things can still be given
our love has shown me proof

Cygnus X-1

From the Rush FAQ: Cygnus X-1 is the name given to an X-ray source in the constellation of Cygnus, believed to be a black hole. For a more detailed explanation, check issue 567 of TNMS, available via anonymous ftp from syrinx.umd.edu in the rush/digest directory. [to do: excerpt here]

Note the irregular heartbeat at the end. Turn the balance all to one side, turn down the treble, and turn up the bass. An irregular heartbeat is a signature physiological effect of LSD. In this context of the question of what happens after passing through the black hole, the answer is "life but..." ego death in life, with allusion to heart attack and death. He's still alive, but a doctor might say he might be dying of a heart attack. Heart palpitations - Whose heartbeat is at the end of the Rush album "Farewell to Kings", at the end of the song "Cygnus XI", in one channel?

The following clip is the end of Cygnus X-1 - heart palpitations as in heavy LSD use. Recorded mono from left channel only, boosted bass, increased volume at start and end.
Uneven heartbeat (79 KB) (16 Kbps) High compression works well for this clip since the treble is rolled off anyway. The .wma extension on this super-compressed file is added to please WinAmp 2.21, otherwise the signal is uneven. You can try renaming the file if necessary.
587 KB (128 Kbps), straightforward mp3 file extension
Heartbeat chart from Cygnus X-1 -- 30 KB, mono from left channel only, boosted bass, increased volume at start and end

55 heart beats in 37 seconds. That's 90 beats per minute. This heartbeat is fast and uneven, sometimes pausing.

The reason that this is important is that Cygnus XI is about mystic ego death during an intense LSD trip. The heartbeat is erratic, as happens 2/3 of the way through an intense trip when using a strong dose such as 1000 milligrams (10 hits). Whoever's heartbeat that is, that person is an expert LSD user in the latter portion of a high-dosage session. I expect that it is Peart's heartbeat, because he is the mystic lyricist and must have great experience and poise enough to think of this and capture it, whereas the others in and around the group might not.

This erratic heartbeat is almost never mentioned in the research literature -- it is subtle and only known to a few, intense-dosage LSD users. On the other hand, LSD users often think they are going to die, and one reason for this -- though they forget it later -- is that breathing becomes so shallow it seems to stop completely (think of the bodily tricks of the Indian gurus) and that the heart races and then halts, erratically. It is quite reasonable to call the ambulance when your breathing halts and your heart is very erratic, palpitating in a (benign) heart attack. But the experienced tripper knows that these physiological effects are sacred and normal and associated with the ego death and ego-transcendence state, the mystic state of cognition. I need to write more about these two layers. I always write about the mystic state of *cognition* but I would capture the experience much more realistically and vividly if I dwelled more on the accompanying *physiological* effects of the altered state.

Hugh Syme (Creem, 1983): "Permanent Waves is the result of a conversation which I had with Neil out at his home in the country. We spoke all evening about Rush growing up, and how we were going to do these EKG readings of each member as they were recording. We were going to tape their temples and chests and have real heartbeats of them while they were playing. So Permanent Waves was going to be a technical statement, and we were going to treat that with red and gold foil, and do a nice study in design- as opposed to a photographic thing. "I walked out and, in the doorway, said 'Wait! Let's try something with Donna Reed, with her permanent Toni hairdo, and have her walking out of a tidal wave situation.'

Book One --- The Voyage

Prologue

In the constellation of Cygnus
There lurks a mysterious, invisible force
The Black Hole
Of Cygnus X-1 [strange-attractor of insight about the nature of control; dawning ego-death insight]

Six Stars of the Northern Cross
In mourning for their sister's loss
In a final flash of glory
Nevermore to grace the night...

1

Invisible
To telescopic eye
Infinity
The star that would not die

All who dare
To cross her course
Are swallowed by
A fearsome force [ego disappears and control is recognized to emanate from Ground of Being rather than originating from ego-as-governor/creator]

Through the void
To be destroyed
Or is there something more? [do I die when my ego dies, or is there more?]
Atomized --- at the core [cognitive dis-integration/fragmentation]
Or through the Astral Door --- [through the Door of the altered state]
To soar...

2

I set a course just east of Lyra
And northwest of Pegasus
Flew into the light of Deneb
Sailed across the Milky Way

On my ship, the 'Rocinante'
Wheeling through the galaxies,
Headed for the heart of Cygnus
Headlong into mystery

The x-ray is her siren song [seeing through the normally solid-seeming ego and cognitive layer, acts as a strange attractor; this attractor like the sirens' singing leads to crash the ego, leads to ego-death]
My ship cannot resist her long [search "ship" as in the key song "No One at the Bridge"] [ego's power is helpless to resist being trumped and taken over by the power of the Ground of Being that is the controller and creator of the ego, of every act and thought and act of will that the ego normally seems to originate]
Nearer to my deadly goal [the control singularity vortex and its ego death]
Until the Black Hole
Gains control...

Eye in vortex (75 KB)

3

Spinning, whirling, [common altered-state theme of whirling]
Still descending
Like a spiral sea, [search "spiral" as in 2112]
Unending

Sound and fury
Drowns my heart
Every nerve
Is torn apart.... [dis-integration and fragmentation of mental constructs in the loose cognitive binding state]

[irregular heartbeat from heavy LSD dose] [indicates that after the flaming sword of ego death, personal existence yet remains/continues]

To be continued

[Continued immdiately below in Cygnus X-1 Book Two: Hemispheres.]

Nerve network space vortex (358KB jpg)

Hemispheres

This album-side is a cautionary rebuttal of Rand as an unbalanced thinker.

Cygnus X-1 Book II: Hemispheres

[Continued from immediately above, Cygnus X-1 Book One: The Voyage.]

I. Prelude

When our weary world was young
The struggle of the ancients was begun.
The gods of Love and Reason
Sought alone to rule the fate of Man. [search "fate", "destin"]

[concern with fatedness. Fatalism is making a major comeback in contemporary metaphysics, as people finally understand what exactly the position entails -- it's much harder to refute than determinism, as it makes fewer assertions about *how* the future is preset.]

They battled through the ages,
But still neither force would yield.
The people were divided,
Every soul a battlefield.

II. Apollo: Bringer of Wisdom

[Apollo = Rand, reason, order, ego, ordinary state of consciousness, mundane normalcy and security]

"I bring truth and understanding,
I bring wit and wisdom fair,
Precious gifts beyond compare.
We can build a world of wonder,
I can make you all aware.
I will find you food and shelter,
Show you fire to keep you warm
Through the endless winter storms.
You can live in grace and comfort
In the world that you transform."

The people were delighted
Coming forth to claim their prize
They ran to build their cities
And converse among the wise.
But one day the streets fell silent,
Yet they knew not what was wrong.
The urge to build these fine things
Seemed not to be so strong.

[So much for Fountainhead - building skyscrapers does not fulfill the whole needs of the human psyche.]

The wise men were consulted,
And the Bridge of Death was crossed
In quest of Dionysus,
To find out what they had lost.

[As a solution to the emptiness of egoic rational existence, people took Kykeon in the Greek mysteries at Eleusis, or took LSD in other forms. This brought ego death and took them across the river Styx.]

III. Dionysus: Bringer of Love

[Dionysus = intoxication, LSD, enthusiasm, excitement, intoxicated frenzy, revelation, radical freedom, transcendent concerns.]

"I bring love to give you solace
In the darkness of the night,
In the Heart's eternal light.
You need only trust your feelings;
Only love can steer you right.
I bring laughter, I bring music,
I bring joy and I bring tears. [search "tears", as in the song "Fountain of Lamneth" and song "Tears"]
I will soothe your primal fears.
Throw off those chains of reason
And your prison disappears."

[Dionysus fulfills the half of the psyche that starves to death in the dull prison-world of the Randian ego.]

The cities were abandoned,
And the forests echoed song.
They danced and lived as brothers;
They knew love could not be wrong.
But the winter fell upon them
And it caught them unprepared,
Bringing wolves and cold starvation,
And the hearts of men despaired.

[Egoic rationality without transcendence is a wasteland. But intoxication and freedom and transcendence without Reason and order cannot sustain life or pleasure.]

IV. Armageddon: The Battle of Heart and Mind

[The battle of transcendence vs. ego, experienced in the self-battle at the peak of tripping.]

The Universe divided
As the Heart and Mind collided,
With the people left unguided
For so many troubled years.
In a cloud of doubts and fears,
Their world was torn asunder into hollow Hemispheres.

[Rand's reason/ego, without transcendence, is hollow and not sustenance. Transcendence or tripping, without reason and order, is similarly hollow and empty of worth.]

Some fought themselves, some fought each other.

[How do you fight yourself? The battle of self-control at the peak of tripping, which exposes the governorship of the ego-agent as an illusion that cannot even govern itself. "Every muscle tense to fight the enemy within."]

Most just followed one another,
Lost and aimless like their brothers,
For their hearts were so unclear,

[Like the 60s boomers with their vague Revolution.]

And the truth could not appear.
Their spirits were divided into blinded Hemispheres.

[There it is. Rand's spirit, her "genius"/jinn, is blind. Reason without transcendence is blind and cannot fulfill the real breadth of human needs.]

Some who did not fight
Brought tales of old to light.

[These would be the mystic advanced meditators and trippers of old, explorers of the astral plane, the transce

See also:

Back cover art -- conditionally animated

The Death of King Ego